Visualizzazione post con etichetta Africa. Mostra tutti i post
Visualizzazione post con etichetta Africa. Mostra tutti i post

domenica 16 maggio 2010

Marc Garanger: Femmes Algériennes

Photo © Marc Garanger -All Rights Reserved

Algeria's War of Independence from France officially lasted almost a decade, but its genesis goes back to the early 40s. It was one the bloodiest struggles against a brutal colonial power with over a million Algerians killed, with thousands interned in concentration camps. To this day, the French have not accepted responsibility for these crimes.

Growing up in my native Egypt and full of nationalistic fervor against colonialism, I remember quite well the admiration we had for the Algerian resistance...the names of Ben Bella, Boumedienne, Djamila Bouhired still easily roll off my tongue.

So it was with much interest that I saw recent coverage from photo websites and newsmedia on Marc Garanger, who was stationed against his will in Algeria, and managed to avoid combat by becoming a photographer in the French army. His job was to produce images for new mandatory ID cards, and villagers were forced to sit for him.

Less than a year later, Garanger's photographs of shamed and angry Algerian women would become a symbol of French oppression over its Northern African colony.

I left a comment of the New York Lens Blog which featured Garanger's work:

"the French colonialism/occupation of Algeria was one of the most brutal in history, and the Algerians' independence war cost over a million of their lives. in my view, the expressions of these women are principally of defiance, hatred of their oppressors, and rebellion. the women were combatants as well, as has been mentioned in the article. perhaps there's an inkling of truth in that they were ashamed to show their faces, but what i sense from these expressions is that they're telling the French "you'll soon be gone"...and they were right."

Garanger received today a Lifetime Achievement Award at the New York Photo Festival for Les Femmes Algeriennes.

For further photographs, go to Algeria.com which has a number of large images of these Algerian women; some ashamed, some scared but many defiant.
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sabato 15 maggio 2010

Jehad Nga's Turkana in NYC

Photo © Jehad Nga -All Rights Reserved

The beautiful work of Jehad Nga, one of my favorite photographers, is on show at the Bonni Benrubi Gallery on the Upper East Side in New York. The exhibition runs from May 13 to June 16, 2010, and is timed to coincide with the New York Photo Festival. Limited edition prints are priced from $2,800-$10,000.

The UK's Daily Telegraph also featured Jehad's Turkana work. I scratch my head in puzzlement that a UK daily would feature news of a photographic event (and images), while our own newspapers have not. Perhaps I've missed it...?

For background on Jehad Nga and the Turkana images, check my earlier post here.
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mercoledì 21 aprile 2010

POV: Marco Vernaschi & Child Sacrifice



Update: 4.25.2010: See my follow-up post So Whose Judgment Lapse Is it?
Update 4.22.2010: Jon Sawyer of the Pulitzer Center responds, and within the response is this:

"Yet we also believe, and Vernaschi agrees, that it was wrong to ask that the body be exhumed. It showed disrespect for the dead, and forced a grieving family to suffer anew. It also had the effect of focusing attention on the actions of one journalist, as opposed to a horrific crime that needs to be exposed.

We regret any damage that may have been caused. We intend to continue this project, documenting the phenomenon of child sacrifice, but in so doing we we will redouble our efforts to authenticate every claim and to insure the privacy rights of individual victims.
"

Here's my original post 0f 4.21.2010:

Here's another story that is guaranteed to make your stomachs churn. It involves Marco Vernaschi an Italian photographer/photojournalist who worked on a project documenting the phenomenon of child witches, human sacrifice and organ trafficking in Africa, and the Pultizer Center For Crisis Reporting.

I have linked to various photographs, but be aware that these are highly disturbing.

It appears that the Pulitzer Center funded Vernaschi to do a story on child sacrifice in Uganda, and it published some of his hard-hitting photographs in an article titled Uganda: Babirye, The Girl from Katugwe, in which the photographer convinces a Ugandan mother to allow the exhumation of her mutilated daughter's body in order to photograph it as "visual evidence". The photograph of the corpse is then shown on both Vernaschi's website and on the Pulitzer Center's. Payment (described as "a contribution for a lawyer") was made by the photographer to the mother.

Another photograph on Vernaschi's website shows an abused boy with a catheter protruding from where his penis has been cut off. His face is clearly shown.

Vernaschi's website explains that
"Child sacrifice in Uganda is a phenomenon that has embedded itself within traditional customs but that bears no genuine relationship to local culture. The appeal to "cultural beliefs" is actually an excuse used by witchdoctors to justify their crimes, and by the Ugandan government to avoid taking action. The government tries to minimize the magnitude of the problem because politicians fear losing votes and this is a a country where witchdoctors wield surprising influence at the polls."
I'm all for documentary coverage to expose and stop this barbaric practice...there's no argument there. However, for a photojournalist to ask (and then pay) for the exhumation of a body beggars belief. Had the child died in a ritualistic murder in Italy, could Vernaschi been able to ask its family to exhume the body for a few pictures? Had he been able to photograph an Italian baby boy with a catheter sticking out of his groin? Why can't these photojournalists and publishers understand that they cannot continue to show pictures of mutilated children??

It's immoral. It's as simple and as complex as that.

As I wrote in an older post: To Vernaschi and to the Pulitzer Center's Board of Directors, Advisory Council and Staff: what if Babirye and the baby boy were your children, your niece and nephew or even just a relative...or an acquaintance? Would you still have photographed and published the photographs...or is it because they're "just" Africans?

Vernaschi is an award winning photographer....and well-experienced dealing with gruesome topics. Surely he could have photographed the story differently? Or is it about winning awards and applause from the rest of the lemmings?

Update: For a more detailed and comprehensive opinion, along with some responses from the Pulitzer Center, check A Developing Story.
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giovedì 11 marzo 2010

Maynard Switzer: Dogon Mask Dances

Photo © Maynard Switzer -All Rights Reserved

Maynard Switzer has recently returned from Mali, where he attended and photographed a Dogon mask dance. These dances are performed at several times during the year, and serve to celebrate the start of the rainy seasons to bring about abundant rainfall, at the end of the harvest seasons to ensure plentiful crops, and also as funerary rituals to commemorate the dead.

Photo © Maynard Switzer -All Rights Reserved

The dances involve dozens of dancers representing figures from the animal world, male and female powers, and the after-world, while the masks represent spirits, women, midwives, witchdoctors, snakes, antelopes and other various representations.

Maynard tells me that the masks are made by boys as part of their coming of age. No outsider is allowed to see the dancers get dressed & put on their masks. The older men are dressed in dark blue, and are retired former dancers who train the new dancers.

Photo © Maynard Switzer -All Rights Reserved

The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. They are best known for their mythology, their mask dances, wooden sculpture and their architecture.

Maynard Switzer was previously featured here on this blog.
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venerdì 26 febbraio 2010

Book: Charlotte Rush-Bailey: Soul Survivors


I've just received the book Soul Survivors from its author Charlotte Rush-Bailey, who was a participant in The Tribes of Rajasthan & Gujarat Photo~Expedition, and it's certainly a wonderful addition to anyone's travel book collection.

It's essentially a tribute to the people of the Sahel, and focuses on Niger which Charlotte visited in the fall of 2005, amidst a food crisis that had enveloped that nation. Despite the food shortages, Charlotte marvels at how she was welcomed with generous hospitality everywhere she went. The book is full of lovely photographs; many of which are portraits, processed in the photographer-author's signature style.

Published and available through Blurb, the link above provides a preview of some of the book's pages. My favorite photograph of the book is the 5th on the preview strip, which is of a camel caravan. Just a perfect composition.

Charlotte Rush-Bailey's website has more of her photography.
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lunedì 14 dicembre 2009

Jehad Nga: Turkana

Photo © Jehad Nga -All Rights Reserved

What a way to start the week!

I've described Jehad Nga as being a master of chiaroscuro and his new work Turkana just reaffirms and even compounds this well-deserved appellation. His new work is just beautiful and details of each photograph must be slowly absorbed. In Jehad's photography, I guess less is more...and his play of light against the colorful garments is just exquisite.

To view Turkana, log on to Jehad's website, and click on From Here On-In Galleries.

The gallery's overview starts with this:
"Forgotten by a government that hardly felt as their own, Kenya's Turkana tribe is withering in number as a drought devastates the Horn of Africa."
The Turkana are a Nilotic people of Kenya, numbering about 340,000, who live in the Turkana District in northwest Kenya, a dry and hot region bordering three countries, Uganda, Sudan and Ethiopia.

It's expected that an exibition of the Turkana photographs will soon be shown at the Bonni Benrubi gallery in New York City.

Jehad was born in Kansas, but moved to London, where he was raised. In his early 20s and living in Los Angeles, he discovered a book by photographer Natasha Merritt. The book convinced him that he could use his own digital compact during a backpacking trip to southeast Asia. By 2002 he was traveling through the Middle East, and by the following year, Jehad made his way to Baghdad photographing for the New York Times.

Over the recent years, Jehad covered Somalia, Kenya, Iraq, Liberia, Libya, Darfur, Ethiopia and Iran, providing stories for major publications such as The New York Times, The Los Angeles Times, Time, Fortune and Forbes magazines. He also won several honors, including American Photo magazine's Emerging Artists 2007 issue and for World Press Master Class 2008.

I featured Jehad Nga many times on TTP. You can catch all the posts here.
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sabato 5 dicembre 2009

Book: Ronald Lake: Madagascar


I was very glad to receive Ronald Lake's beautifully designed book titled "Glimpses of Madagascar" as I knew next to nothing of this intriguing island. All I knew was that it's an island nation in the Indian Ocean off the southeastern coast of Africa, and there was an entertaining animated movie with the same name (I exaggerate, but you get the drift...it's just not a country in the news).

I also visited Ronald Lake's website, where one can sample some of the pages of his Madagascar book, and order it directly, as well as view his other galleries.

It's also called the Red Island, The Eighth Continent, Eden on Earth, and a World Out of Time, and is like no other place on earth. One of the world’s poorest nations, it is one of the planet’s richest stores of biodiversity, which was the main reason behind Ronald Lake's decision to join a trip to Madagascar with the Wildlife Conservation Society.

In Ronald's own words:
"Madagascar is one of the poorest countries on earth. It also is one of the richest homes of biodiversity on the planet. The juxtaposition of these two facts is what makes Madagascar so beautiful, so tragic, so compelling and so promising. But very few people in modern consumer societies are aware of Madagascar's unique story - few even know where it is.

I enjoyed shooting pictures in Madagascar because the place and the people were so special. It certainly got the creative juices flowing. But I felt that just taking pictures wasn't good enough. I had to give some meaningful expression to what I saw. Thus the book, which is meant to convey more than images. For me, this is the purpose of photography, or at least the kind of photography that I am interested in pursuing."

An investment adviser in Greenwich, Connecticut with photography as his passion, it's immediately obvious from this book that Ronald Lake fell in love with the island of Madagascar.
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martedì 1 dicembre 2009

Condition Critical: Eastern Congo

Bahati's Story - Condition Critical from duckrabbit on Vimeo.



Benjamin Chesterton of the award-winning duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontieres.

As Ben says:
"I've finished four videos on the Congo subtitled into eight languages to run on a website where people can leave messages to be translated and put up in the camps and clinics in Eastern Congo. The strongest thing about this project is that all you hear is the voices of the Congolese affected by the violence."

Here's some background of the Eastern Congo's conflict. It's the world's deadliest conflict since the second world war and yet the majority of people have never heard of it. According to the IRC at least at least 5 million Congolese have died in more than a decade of conflict sparked off by the 1994 genocide in neighboring Rwanda. Most of the deaths are linked to a lack of medical facilities as the ability to access medical care in Eastern Congo has crumbled with the war. The four videos on the Condition Critical website give voice to the pain and trauma of those caught up in the conflict, bearing witness to their dignity and attempts to survive the conflict.

In Ben's own words:

"Told only in their own voices all the website asks you to do is send a message of support. At first that might sound a bit daft. I mean why send a message of support to people I know nothing of? Surely what they need is cash, right? Well first off if you watch the videos you can find out a little about their lives, that they're not that much different to you and me except that they've been caught up in an unforgiving conflict. Secondly messages of support do make a difference. I know this because last year I worked in camps in Kenya and the thing that people were most frightened of was being forgotten, the sense that no-one cared. That's what leads to depression and despair. Worse than that, when no-one cares people get away with murder, literally."

So the fact that MSF will take these messages and share them in the camps and clinics will make a difference. It will also give a huge morale boost to the MSF staff working in Eastern Congo.

People can do four great things:

1. Leave a message of solidarity on the map
2. Twitter about it and link to it on Facebook (for Twitter use #conditioncritical)
3. Embed one of the video's on their blogs.
4. Write something about the project"


It's worthwhile to reiterate what Ben realized from his time in the Kenya camps:

"...the thing that people were most frightened of was being forgotten, the sense that no-one cared. That's what leads to depression and despair. Worse than that, when no-one cares people get away with murder, literally."

So show you care.
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venerdì 27 novembre 2009

NGM: Martin Schoeller: The Hadza


The National Geographic brings us The Hadza, a collection of photographs by Martin Schoeller. He is a German photographer who assisted Annie Leibovitz in New York in the early nineties. He continued on his own and worked for The New Yorker under contract since 1999 and also for Rolling Stone and GQ.

According to Wikipedia, the Hadza people, or Hadzabe'e, are an ethnic group in central Tanzania, living around Lake Eyasi in the central Rift Valley and in the neighboring Serengeti Plateau. The Hadza number just under 1000, and they are the last functioning hunter-gatherers in Africa.

The New York Times LENS blog also features Schoeller's work, which was based on an assignment for Travel and Leisure magazine. The Hadza were not re-enacting a lifestyle for tourists, but living in a way that had basically not changed for thousands of years.
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lunedì 23 novembre 2009

Viewbook: Francesco Giusti: SAPE

Photo © Francesco Giusti/Courtesy Viewbook-All Rights Reserved

Francesco Giusti lives and works as a photographer in Rome, Italy. He recently won First Prize in the Viewbook Photostory competition for his documentary series, SAPE.

SAPE is the acronym for Société des Ambianceurs et des Personnes Élégantes, which loosely translated from the French means "the society of persons who are elegant and have an 'ambiance' about them"...in other words, dandies. Most of the SAPE members are found in The Republic of Congo.

I won't repeat what is already explained in the blurb accompanying Francesco's gallery, but in essence a member of the SAPE considers himself as an artist, and dresses up in his personal style with the appropriate accessories, for the sake of being unique and original. A real SAPE, or sapeur, is not only elegant but has to be a gentleman and a pacifist. They carry amusing and eccentric nicknames (one of them in the series is named Christian Dior), parade in the streets and congregate in bars.

My thanks to Kate Wilhem of Peripheral Vision who reminded me of Hector Mediavilla, another photographer whose work on the Sapeurs was published in Zone Zero magazine. I had forgotten that I had posted Hector's work here.

Tangentially, this post is also about Viewbook, an interesting and easy to use online portfolio service. It has three options for creating online portfolios and galleries, which can be tried free for 30 days.

I tried the cheapest version "Basic" which only costs $4 a month, and allows one to upload up to 250 images. I tested its Image Manager which works very well, and uploaded about 16 large (1000x667 pixels at 72dpi) images in no time at all. Most of my images are about 0.75 mb, but it seems the maximum file size is 10mb per image, and can be resized if necessary. The maximum length is 1024 pixels. Not bad.

I haven't yet tried the two other options: Standard and the Pro.

For an attractive, simple and quick website for photographers, I found this to be one of the better alternatives available. I was pleasantly surprised at how simple setting it up was. Here's my trial gallery The Dancers of Tamshing Goemba on Viewbook. It took me less than 5 minutes to put it all together. However, my photographs were already prepared and ready to upload.

You can compare that version to the original gallery of my website.

(I am not at all connected to Viewbook, and this should not to be construed as a commercial endorsement.)
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giovedì 19 novembre 2009

Global Post: Finbarr O'Reilly: Senegal


GlobalPost brings us a feature by photographer Finbarr O'Reilly. The photographer came across performers of the Dseu Renaissance de Pikine theater group, and was smitten by the intense colors he saw when the female artists put their traditional headscarves and applied black makeup and markings worn by the Toucouleur people of West Africa.

The "Toucouleur" possibly originates from the French (slightly misspelled) meaning "all-colors", and are Muslims who live mostly in the Senegal River Valley in Northern Senegal and Southern Mauritania.

The theater group seeks to keep alive West Africa's superstitions, oral storytelling, and narrative skills of the griots.

Finbarr O’Reilly joined Reuters in 2001 as a freelance text correspondent in Kinshasa, Congo and spent two years covering Central Africa’s Great Lakes region from Kinshasa and from Kigali, Rwanda. He took up photography full-time in 2005 and covers West and Central Africa for Reuters, based in Dakar, Senegal. In 2006, he was awarded the World Press Photo of the Year.
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lunedì 2 novembre 2009

Nacho Hernandez: Children of the Clouds


Nacho Hernandez is a Spanish photographer who takes assignments worldwide, and has easy access to the Southeast Asia and Asia-Pacific regions from his current base in Manila. Nacho graduated from the Washington School of Photography and also holds a MA in International Relations and Development from Georgetown University.

His interest is in international documentary, travel photography and photography with a humanitarian focus. As an example, he produced a long-term project on the Sahrawi people, and which was exhibited at the US Congress in Washington DC. It is this Children of The Clouds which I chose to highlight on TTP.

According to Wikipedia, Hassaniya Arabic speaking tribes, of Arab-Berber and pure Berber/Tuareg heritage, mainly living in Mauritania, Western Sahara southern Morocco, western Algeria, Mali and surrounding territories, form a large part of the population of countries in the area of the Western Sahara.

Western Saharan pro-independence groups have utilized the term Sahrawi to give a their movement a nationalist connotation. Morocco controls most of the territory as its Southern Provinces, but the legality of this is not internationally recognized, and is disputed militarily by the Polisario Front.
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domenica 26 luglio 2009

Sexual Warfare: Congo


The Sydney Morning Herald has featured a superbly produced multimedia project titled Sexual Warfare: The Democratic Republic of Congo. The multimedia is produced by Kimberley Porteous
and Kate Geraghty.

From its website, we learn that sexual violence is a devastating weapon in the war-torn North Kivu province of the Democratic Republic of Congo. The Congolese army and rebel groups systematically use brutal gang rape against their enemies, causing crippling injuries and spreading HIV.

Aid groups estimate one in three women in North Kivu have been raped. Over 30 per cent of these have been infected with HIV.

All across this devastated region – in every village, every camp and almost every home – a man-made plague is stealing and destroying the lives of women. In a scale never seen before around the world.

(Via Duckrabbit Multimedia: an always interesting and brave blog, which I encourage you bookmark.)
»»  read more

martedì 21 luglio 2009

Matt Powell: Humanitarian Photographer


Matt Powell is a documentary photographer and a multimedia producer ( his bio tells us that he's also a budding documentary filmmaker), as a well as a writer, who works for the Christian humanitarian relief agency Samaritan’s Purse. It's a job which takes Matt all over the developing world, and nourishes his passion for visual storytelling and his desire to improve the world.

Soon after his graduation, Matt undertook a 2.5 month trekking journey into some of the most remote terrain in South East Asia to perform an ethnographic survey of tribal minorities known to be living under severe religious and ethnic persecution. It was the adventure of his lifetime, and established his career as a humanitarian photographer.

His subsequent assignments took him to Indonesia, Cambodia, PNG, Viet Nam, India, Sri Lanka, Sudan, Uganda, to mention just a few.

I'm greatly impressed by Matt's commitment and talents, and feature his Portraits portfolio, however I also encourage you to explore his work beyond this gallery, and check the rest of his galleries and informative blog .

It's immensely refreshing to meet an altruistic photographer, and Matt Powell is it.
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martedì 14 luglio 2009

Toni Greaves: Samburu Rites


I know...readers are thinking "enough already with this Gnawa work you've been hammering us with for the past weeks"...so I listened, and what better way of proving that I listened than by featuring Toni Greaves on the page of The Travel Photographer?

Toni Greaves is a documentary, editorial and portrait photographer with a passion for storytelling. She has an extensive background in design, having worked for over a decade as an Art Director & Creative Director in both the USA and Europe. Toni was recently named one of the "30 Emerging Photographers to Watch" by PDN magazine, an impressive tribute to her deserving photographic work.

She was awarded a New York Times Scholarship for her photojournalism work, was a finalist at the New York Photo Awards, and was the recipient of a fellowship by the Johnson & Johnson Foundation, among many other national and international awards. Her clients include The New York Times, TIME Magazine, The FADER, Sports Illustrated, and The New Jersey Star Ledger.

Since this is a travel photography blog after all, I chose to showcase her Samburu Rites of Passage photo gallery, despite her lovely work on the nuns of the monastery of Our Lady of The Rosary in New Jersey.

The Samburu are an ethnic group in northern Kenya that are related to the Maasai. They are semi-nomadic pastoralists, who herd cattle, sheep, goats and camels. They are extremely dependent on their animals for survival, and their diet consists mostly of milk and sometimes blood from their cows.

Toni Greaves' website demonstrates the wide range of her photographic interests, which range from essays on pediatric cardiac surgeries to cheerleaders.
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venerdì 19 giugno 2009

Candace Feit: West African Wrestling

Photo © Candace Feit -All Rights Reserved

Tyson and 50 Cent are the names of the biggest stars in West African wrestling, which according to photojournalist Candace Feit, has become a huge business for wrestlers and sponsors alike. Instead of wrestling to win a bag of rice or a goat, the current monetary prizes are now in excess of $300,000. For many young men in Senegal, it can drag them out of a crippling poverty.

Candace has been featured on many occasions on the pages of The Travel Photographer blog, and her photographs of West Africa appeared in the The New York Times, Le Monde, Le Figaro, The Chicago Tribune, The Washington Post, and Time magazine, among others. She was based in Dakar, Senegal and now is living in Delhi, India, from where she will most certainly equally produce wonderful photo reportages such as this one and the others which are found on her website.

Other posts on Candace can be found here.

posted "robotically" as I'm in Marrakech
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lunedì 15 giugno 2009

Michael Kamber: Hard Lessons in Somalia


"It is also important to keep a low profile when you’re moving through dangerous areas where kidnapping risks are high. Try to find vehicles with tinted windows. Long sleeves, beards, hats and local dress all help. Don’t be embarrassed to wrap a scarf around your head or put on local garb. From a distance, this makes you less visible. It may save your life."-Michael Kamber (from LENS-New York Times)

Michael Kamber is a well-known photojournalist, and is currently working on a book on photojournalism and war photography. He was nominated three times for the Pulitzer prize. He has covered conflicts in Iraq, Afghanistan, Liberia, Cote D'Ivoire, Sudan, Somalia, Haiti, Israel, the Congo and various others.

He shares some of the hard lessons he learned while working in Somalia on The New York Times LENS blog.

posted from London en route to Morocco
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venerdì 22 maggio 2009

Daylight Magazine: Jehad Nga


I just received Daylight Magazine's May newsletter, which features Jehad Nga's wonderful photo essay titled "My Shadow My Opponent" which deals with boxers and boxing clubs in Kenya. It explores the scarcely-known boxing subculture of Nairobi's largest slum.

I'm sure many of you will agree with me that the title of the photo essay fits Jehad's trademark chiaroscuro photographs like a glove. It's excellent work by an extremely talented photojournalist/photographer, however it's a shame that there's very little ambient audio of the grunts, exertions, sound of glove on flesh, and other sounds normally associated with boxing (think Rocky Balboa!), nor do we hear the voices of the boxers.
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giovedì 21 maggio 2009

Hallelujah! BBC Goes Big

© Micah Albert-All Rights Reserved

I always thought that the BBC website was created and administered by a tea-lady who's a dead ringer for Terry Thomas.

However, having been alerted by Benjamin Chesterton's post over at the excellent duckrabbit, I now realize there are stirrings of modernity, and someone may have finally found the nerve to tell the omnipotent tea-lady that size does matter after all. Some of the photographs on the BBC site are now displayed in a larger format and at a higher quality.

Micah Albert's photographs of Somali refugees arriving in Yemen is one of the first BBC photo essays to appear in the larger size. Not as large and not as many as those appearing on The Big Picture blog or the WSJ's Photo Journal, but a step in the right direction.

The BBC's picture editor Phil Coomes has just started a blog called Viewfinder, which deals with the world of photojournalism, photos in the news and BBC News' use of photographs. Perhaps he'll introduce some more large sized eye candy imagery to the BBC's website.
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martedì 7 aprile 2009

Sylvain Savolainen: The Afars

©Sylvain Savolainen-All Rights Reserved.

Sylvain Savolainen is a photographer and reporter based in Geneva, and is regularly published by international newspapers and magazines such as Geo, La Stampa, IHT, The New York Times and Le Figaro. In Paris, he worked with Sygma and Gamma agencies, and currently Cosmos and Grazia Neri partly distribute his work. He is also a contributor to the French and Swiss national radios. In 2007, he won the Swiss Press Photo award for the best foreign feature of the year.

Sylvain has documented many ethnic groups, including the Afars. The Afars, or Danakil, are an ethnic group in the Horn of Africa, residing principally in the Danakil Desert in the Afar Region of Ethiopia, as well as in Eritrea and Djibouti. They constitute over a third of the population of Djibouti, but the majority still remain nomadic pastoralists, raising goats, sheep, camels and cattle in the desert.

Here's Sylvain's Those Who Gaze Into The Horizon: The Afars
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