Pablo Corral Vega: Andes

Pablo Corral Vega is a photojournalist from Ecuador whose work is published in National Geographic, National Geographic Traveler, the Smithsonian Magazine, the New York Times Sunday magazine, Audubon, the French, German, Spanish, and Russian editions of Geo, and other international magazines.

His work has been exhibited in Perpignan, Quito, Guayaquil, Cuenca, Tokyo, Seville, Washington, D.C., and Houston, and he has published six books of photography: Tierra Desnuda, Paisajes del Silencio, Ecuador: De la Magia al Espanto, Ecuador, Andes and Twenty Five. For the book Andes, published by the National Geographic Society, famed Peruvian author Mario Vargas Llosa wrote twenty short stories inspired by the photos.

It is Andes that I choose to feature today on the pages of TTP.

Kent Kobersteen, former Director of Photography for the National Geographic Magazine wrote the following text about Corral for his book "Twenty Five":

"Pablo Corral Vega brings to his photography great passion, an unparalleled aesthetic, and a high degree of concern for both his work and his subjects. (He) is a world-class photojournalist, and in my opinion one of the finest Latin American photographers working today." "

There's no question that Pablo Corral Vega's work is incredibly beautiful, and his imagery of the various cultures depicted in Andes is passionate, emphatic and in many cases, superb. The photograph of the man and the shadows is certainly one of those.

I also greatly enjoyed Pablo's video work showing the same places he photographed for the National Geographic. Yes, I recommend viewing Pablo's personal view of this musical genre and its associated sensuous dance form. But be careful...after viewing the video, you will want to book your flight to Buenos Aires, and spend the rest of your life in these cafes and restaurants, immersed in tango atmosphere.

My thanks to Eric Beecroft for the heads-up.

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Tom Wool: ONE

Photograph © Tom Wool-All Rights Reserved
Tom Wool is a British photographer currently living in NYC. I'd describe his work as "ethnographic photography" since the work he presents on his website ONE is of 160 portraits made during his travels to Bolivia, Irian Jaya, Kenya, Morocco, PNG, Suriname, Tanzania, Tibet and Venezuela.

His biography tells us that he worked in a number of fashion publications in the 1980s, and this background served him extremely well in photographing his subjects. Tom traveled to Tibet to work on a project, and with the sale of his photographs, he raised enough funds to build a school in Tzombuk, where some of his portraits were made.

We've been spoilt by the ever-increasing web's bandwidth, and are now used to much larger images than what Tom Wool's are. Perhaps an updated website is in the planning?

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Andrew Gibson: Bolivia

Image © Andrew Gibson-All Rights Reserved
Andrew Gibson is a British photographer who works on cruise ships, which has given him ample opportunities to travel and photograph far-flung places.

He specializes in South America, in particular Argentina and the Andean regions of Boliva and Peru. He plans to move to Argentina to focus on his photography and writings.

The body of his work is slanted towards art-travel photography rather than documentary travel photography, and he often tones his photographs as his lovely image of a church in Puerto Chivica in Bolivia.

There are two reasons for featuring Andrew's work here on TTP; one is that he makes available copies of his e-books in PDF format to anyone who wants to download them. He has three books: Bolivia, Cementerio de Recoleta, and Central Park in NYC. You may want to do the same when circulating your portfolios to editors, clients or even friends...everybody has a PDF reader on their computers.

The second reason is that his blog has an interview with John Cleare, which I encourage you to read. With 45 years experience, he's an inspiration to all photographers, whether interested in mountaineering (as he is) or not. Cleare is not just a photographer, but also a mountaineer, wilderness traveler, writer, author, filmmaker and lecturer.

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Miami Herald: Latin American Hip Hop

Image Copyright © Noelle Theard-All Rights Reserved
The Miami Herald just produced a brilliant multimedia feature on the hip-hop culture in Bolivia, Colombia, Ecuador, Peru and Venezuela. The feature is part of a larger many-layered and equally brilliant feature titled A Rising Voice: Afro-Latin Americans which examines social and racial tensions in Nicaragua, Cuba, Honduras (just listen to the beat of the Garifuna music!), Dominican Republic and Brazil.

The Latin American Hip Hop feature is a Soundslides production, with the photographs of Noelle Theard, a Miami-based photojournalist, whose talented lenswork and great sense of color/movement allows us to enter the hip hop world in these Latin American countries. The able narration is by Alvaro Cuello who describes for us how hip-hop creates a cultural bond above race and social class.

A highly recommended multimedia feature, here's Miami Herald's Latin American Hip Hop.

Noelle Theard's website is here

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Evan Abramson: Bolivia

Image Copyright © Evan Abramson - All Rights Reserved
Evan is a freelance photographer in Bolivia for The New York Times, The Washington Post, The Miami Herald and Bloomberg News. His website tells us that he dedicated the past three years to creating a visual narrative of the lives and experiences of Andean farmers in some of the highest and farthest settlements of humans in Bolivia. He participated in as much of the daily lives and rituals of the Andean farmers as he could, including the Tinku, or “Encounter”—a ritual fight between members of neighboring zones or villages—even going so far as to learn the Pre-Columbian Quechua language more widely spoken in the Andean countryside than Spanish.

He lived and traveled through a wide network of rural Andean villages and provincial lands of barren pastoral settings, meeting mostly farmers, economically impoverished, but humble and earnest in their approach to life.

His affection for the Bolivian people, and his strong connection to Bolivia, are both evident in his powerful, and yet sensitive, work.

This is the second posting on Evan's work. The first was in mid February, when his work on the Tinku festival was published in a slideshow feature in the New York Times. I look forward to admire further work from Evan.

Here's Evan Abramson website.

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Sebastián Belaustegui: Guardians of Time

Image Copyright Sebastián Belaustegui
Sebastián Belaustegui was born in 1969 and although from Argentine, is currently living in Tepoztlan, Mexico. He has been an independent documentary photographer since 1991, and dedicates himself to photographing the native world of Latin America.

Sebastián’s work is exquisite, and can be seen in his gorgeous book Guardianes del Tiempo (Guardians of Time), which group his photographs of indigenous peoples of Central and Latin America. My favorite is of a Peruvian couple sitting in their room, a hamster peeking at the photographer between their legs.

His photographs appeared in National Geographic, Camera Art, Planet, and Gatopardo, as well as in newspapers such as the Los Angeles Times and the Sunday Times.

His website is here, and I urge you to visit his Personal Work section and his Guardians of Time gallery. I expect his book is available at bookstores.

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Bolivia: The Tinku Ritual

Image from The People of Pachamama-Copyright 2002 Tewfic El-Sawy
The New York Times and its sister company, the International Herald Tribune report today from Bolivia on the unusual ritual of Tinku, a word that means “encounter” in both the Aymara and Quechua languages, which was once widespread throughout the Andean world, predating the arrival of the conquistadors. Anthropologists say it now tenuously exists just in an isolated pocket of Bolivia, seven hours southeast of La Paz by bus on a dirt road.

The ritual involves dance, drinking chicha, a fermented beverage made here from rye, and then fighting breaks out until blood stains the dirt alleyways. It's a combination of harvest or fertility ritual and a chance for young men to show off in front of women from other communities.

I recall a festival on the Isla del Sol on Lake Titicaca when I visited Bolivia in 2002. The locals were celebrating a harvest festival, and although there was no violence, I thought that chicha did flow rather too freely.

The slideshow is of photographs by Evan Abramson of the NY Times: The Tinku Ritual

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